Twenty-Three
Chongqing, 2002 — London, 2026. A zine in sixteen panels, animated, sung by the man who wrote it before he knew.
Drawn in the underground register by the house, from the couple's own photographs.
Moved — every panel animated, sixteen scenes and eight close-ups, each with its own camera.
Spoken by Musa the Tailor — Iman's pre-2013 self, a LoRA on a base Gemma — in Iman's own voice and the Shaykh's.
Scored to four minutes of commissioned funk, an oud somewhere underneath.
For Asel. 7 September 2003 · 7 September 2026.
What to look for
A pig sheikh in robes and turban officiates the wedding at 0:30, a gold ring hanging from the end of his snout. In Chongqing the chalk equations write themselves while a chalk cupid flies a loop around them. The pigeons burst off the steps at St Paul's. At Hanging Rock the three schoolgirls in white walk up into the cleft of the rock and are swallowed one at a time, and the kookaburra laughs. A hedgehog band plays under the marquee. At 2:22 a single bee crosses a sunlit hedge — Asel is honey in Kazakh, and Nahla is bee in Arabic.
The sixteen panels
Every panel on its own, full size, hand-lettered caption and all. Click any one to download it — they are 896×1200, which sits well as a phone wallpaper or a cover. There is also the whole page as a single sheet.
















The first cut
Before the drawings moved, there was a still version — the same sixteen panels on slow drift, the same voice, the same funk.
animated · full-size 1080 · animated · vertical · first cut · 1080 · back to the band